Folk music PR in London
Two lists, run as one campaign. The specialist folk press, and the London media and venue network that gives a writer a reason to take you seriously.
Folk moves at a different speed to every other genre we work in, and campaigns fail here mostly by being run too fast. The audience is older, more loyal and more likely to buy physical product. The press is smaller, more considered and far less interested in hype. Album cycles matter more than single cycles.
What actually helps in London is scene legibility. The city's music press thinks in venues and orbits. The room you play in tells a features editor more about you than any description of your sound. A campaign that can place you inside one of those orbits will always outperform one that simply says you are from London.
A folk campaign run from London therefore works on two levels at once. The genre list reaches the writers who cover this music seriously. The city list builds the local foundation that makes the genre pitch credible, because an artist who already has coverage, radio support and a live reputation at home is a considerably easier sell than one who arrives with only a track.
The folk list
The layer a folk campaign at this level genuinely reaches.
Specifically oriented towards emerging folk artists. One of the best first targets in the genre.
Focused on traditional music and folk custom, with deep engagement in the tradition itself.
The smaller roots and acoustic sites, which review carefully and are open to new artists.
Folk programming on community stations across the UK, with loyal and ticket-buying audiences.
Regional shows, and for folk artists frequently a route towards national specialist attention.
Long-form formats where provenance and songwriting get proper discussion.
The London list
London-based and London-facing media worth targeting alongside the national titles.
The default listings authority for the city. Broad reach, heavily contested, and realistic once you have a show worth listing.
Peckham-based, youth-led and genuinely influential in London's rap and R&B scenes.
Dalston-based with international reach. Extremely influential across electronic and leftfield music.
Central to London club culture across garage, grime, house and bass.
Broad remit and receptive to emerging London artists across genres.
The rooms
The Windmill in Brixton has produced more press-relevant guitar bands in the last decade than any other room in Britain, and a residency there is a story in itself. MOTH Club and The Shacklewell Arms anchor the Hackney circuit. The Lexington and Sebright Arms remain reliable proof-of-life rooms for developing bands. Corsica Studios, fold and Venue MOT cover the club end. New River Studios and Cafe OTO serve the experimental scene. For a step up, EartH, Village Underground, Scala and Electric Ballroom are the rooms that signal an artist has an audience rather than a following.
How we pitch it
Albums, not singles
Folk press reviews albums. A single-led campaign in this genre leaves most of the available coverage on the table, and we will usually advise waiting for the record.
Provenance is the story
Where a song came from, whose version you learned, what tradition it sits in. Folk press cares about this more than any other genre cares about anything, and a pitch without it is not a folk pitch.
What's included
Folk artist in London?
Send us the track, the release date and where you have played. We will tell you what is realistic before you spend anything.